rechenzentrum

 

Discography


'Director's Cut'

dc

     
Title   'Director's Cut'
Label   Mille Plateaux
Cat number    
Format   DVD + CD
Release   2003
 
01 gaujaq totale  



02 lye  



03 tiefenschärfe  



04 slate  



05 bleichbadüberbrückung  



06 nelson reshoot  



07 projektor  



08 benshi  



09 synchron  



10 35 mm  



11 paramount  



12 hommage  



13 happy end Watch  



Press text for 'Director's Cut':    



'Over the course of five years, two albums, and numerous singles and remixes, Berlin´s Rechenzentrum have managed to carve out a niche of their own in the world of electronic music. A symbiosis between the audio and the visual has inflected their music with an atmosphere unparalleled within the genre. On their latest release, 'The Director´s Cut', the trio have surpassed all expectations and delivered what could quite possibly be their best work to date. Epic in proportion, visionary in execution, and piercingly evocative in intention, 'The Director´s Cut' constitutes a daring creative achievement by even the highest standards.

In an unprecedented move, Mille Plateaux is proud to present the 'Director´s Cut' DVD, a feature-length film. The film's sound and moving imagery was created, produced, and directed by the band; images fluctuate according to the rhythmic pulsations of the music, and movement is directed according to shifting tonalities. A synthesis occurs in the convergence between two otherwise exclusive mediums results.

The Rechenzentrum modus operandi is an amalgam of reactionary art movements. Within the overall design, traces of Lettrism, Situationalism, Dadaism, Burrough´s cut-up techniques, and even punk can be found. 'The common threads for us in these directions,' explains Lillevän, 'were, on the one hand, the search for what lies beneath the surface of music or the moving image (the samples from film and music that we choose for their potentiality, not for their hook-lines). On the other hand, we have always been interested in taking communication of music and entertainment to other levels, questioning the role of artist, the role of public personality.'

In this sense, Rechenzentrum´s compositions extend beyond the domain of simple appropriation, as viewed by sample-based culture, and into a realm of redefinition and re-application, a technological cross-pollination of contemporary media.